

In the vast, hot, sparse dry deserts of Nevada a miracle occurs.but not for the good.

Of course, the authors would have to be both a specialist and a talented writer, but I see much potential in the collaborative writing of some or many people creating the fiction they want to read, but can´t get.Ī wiki walk can be as refreshing to the mind as a walk through nature in this completely overrated real life outside books:
PREY BOOK SCHOOL TEACHER STUDENT HOW TO
I couldn´t really say how to do it, as there are already so many Sci-Fi works superficially dealing with the thousands of tropes surrounding both technologies, but as Alastair Reynolds impressively showed with his melding plague and Bacigalup with The windup girl, it´s possible. It´s also a simple question of time, the more humans, the more readers, so that each subgenre can slowly become more and more worthwhile until the authors can generate enough income to fully focus on their work.
PREY BOOK SCHOOL TEACHER STUDENT SERIES
There is very much potential in both genres, as real-life genetic engineering and nanotechnology are accelerating parallel to fiction, and the first author establishing a trademark series in this new genre might get immortal with his work. Both have to deal with the problem that it has to go along a pretty hard sci-fi route to fulfill the expectations of readers that are more interested in info dumping, technobabble, and plot driven works, which automatically results in the disinterest of readers of character driven, easy to read works. I´m often asking myself why there is still no series (I know of) that puts the main focus on nanopunk, but it seems to be the same problem as with biopunk, that´s also still at its infancy. Often it´s unwittingly funny, as Chrichtons´writing tends to be average and stereotypical, and this adds an extra layer of self- satirizing over the whole novel. That´s sometimes so weird that it´s amazing at the same time, kind of as with movies that are trying to overachieve so much that they are already cult and involuntary parodies. It´ hard to waste a perfect nanotech plot, but Crichton exaggerated a bit, he had the ability to even make molecular assemblers and tiny robots a bit unlikely, not to talk of the standard characterization weaknesses one is used to. It´s like a combination of different tropes surrounding grey goo, all seen in Sci-Fi many times from huge scales to tiny scales, resulting in the reader wondering which scenario might unfold next, what crazy ideas these nanobots will have in the following chapter. A, for the characters, tour de force of possible nanotech escalation settings.
